Setareh 4384 table lamp
This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere in hand-blown white satin glass, magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. The table version is available in two models while the suspension version comes in several variants: bare, with only the frame and glass sphere (also available with three spheres), with a diffuser in curved white glass (diameter 45, 65, 85 cm), or with a painted metal disc in white or black (diameter 45, 65, 85, 100 cm).
Setareh 4384 table by Fontana Arte official dealer, 2 years warranty.
Also search: SETAREH, FONTANA ARTE
Founded in 1932 by Luigi Fontana, owner of an important glass manufacturing company, and Gio Ponti, FontanaArte was the first Italian business to establish itself in the interior design sector. Continually experimenting with new ways of defining contemporary decoration, Gio Ponti brought in Pietro Chiesa, already owner of an artisan glass-making workshop. Together, the two rapidly turned FontanaArte into one of the most important players in the elaboration of early modernity for Italian home furnishing accessories.
In the fifties, Max Ingrand took over as artistic director at the company. This period was one of great modernization of company processes, heading towards a regime of industrial-style production. For FontanaArte, the eighties were a dynamic period of cultural regeneration that asserted the company’s role as one of the absolute main players in Italy and international design. Artistic direction was entrusted to Gae Aulenti who, by involving a large number of very diverse designers, very young or already famous, insisted on research that explored the most expressive experiences in Italian design.
In 1998, the Italian Association for Industrial Design (ADI) awarded the Compasso d’Oro for career to FontanaArte, highlighting in its reasons how the company, by involving different designers, had managed to create a lively creative climate that had upgraded one of the historic names in Italian design.