Galerie wall lamp
The distinguishing feature of Galerie is the diffuser, which is inspired by both aesthetically and functionally by the antique oil lamps of the Belle Époque. Hand-blown in four layers of glass, where the outer and the inner layers are of two different colors, it reads as white when turned off, then as amber once lit. It is also equipped with a leather strap that allows the fixture to be hung in different positions on the structure. In the floor version, the lamp is available for two uses: a reading lamp with one diffuser, to create the ideal atmosphere for reading, and a floor lamp with three diffusers positioned at different heights, for adjustable ambient lighting. The family also includes a wall version. The combination of materials (glass, leather, metal and marble), unprecedented in a lamp, makes the Galerie family particularly rich, and at the same time elegant and balanced. Galerie expresses the memory of days gone by in a contemporary key.
Galerie wall by Fontana Arte official dealer, 2 years warranty.
Also search: GALERIE, FONTANA ARTE
Founded in 1932 by Luigi Fontana, owner of an important glass manufacturing company, and Gio Ponti, FontanaArte was the first Italian business to establish itself in the interior design sector. Continually experimenting with new ways of defining contemporary decoration, Gio Ponti brought in Pietro Chiesa, already owner of an artisan glass-making workshop. Together, the two rapidly turned FontanaArte into one of the most important players in the elaboration of early modernity for Italian home furnishing accessories.
In the fifties, Max Ingrand took over as artistic director at the company. This period was one of great modernization of company processes, heading towards a regime of industrial-style production. For FontanaArte, the eighties were a dynamic period of cultural regeneration that asserted the company’s role as one of the absolute main players in Italy and international design. Artistic direction was entrusted to Gae Aulenti who, by involving a large number of very diverse designers, very young or already famous, insisted on research that explored the most expressive experiences in Italian design.
In 1998, the Italian Association for Industrial Design (ADI) awarded the Compasso d’Oro for career to FontanaArte, highlighting in its reasons how the company, by involving different designers, had managed to create a lively creative climate that had upgraded one of the historic names in Italian design.